Ready to send
Nothing here would stop someone listening past the first drop. Labels can hear it as it is.
- Readiness
- Ready to send
- Almost there
- One more pass
- Early mix
Mix report
Drum & Bass174 BPMD minor5:22Anonymous Producer
Nothing here would stop someone listening past the first drop. Labels can hear it as it is.
Where drum & bass sitsThis mix
A little louder than most drum & bass releases. Streaming will turn it down anyway.
No problem areas in the low mids, the upper mids or the low end for drum & bass.
Wide on top, solid in the middle. Folds to mono cleanly.
Intro and outro give DJs room to mix.
174 BPM, D minor.
It sits 2.3 dB above most drum & bass releases. Backing off the limiter would give the kick some punch back.
The balance already sits where drum & bass tracks sit.
Streaming & label circuit
Indie labels reply in 2 to 6 weeks, bigger ones in 8 to 12, and silence after 3 months is a no. Start this phase well before your target release.
Label matching
Labels that sign this sound and take demos from unsigned producers. In this example the labels are described, not named.
UK · open to demos · replies in about 3 weeks
Open to rollers with clean, busy drum programming. The closest fit on this list.
Mid-sized label
Takes harder, denser material. The reese and the tempo sit in their pocket.
A varied roster that listens to demos. Lead the pitch with the drum programming.
The drums are at their level. Their releases tend to be a little more dynamic than this master.
Expects a darker harmonic palette. The reese is on their brief, the melodic content less so.
A tight drum & bass roller with a balanced mix and an arrangement built for DJs. The master is a little louder than the genre needs: easing the limiter would give the drums more snap. It can go to labels as it is.
Loudness, peaks, punch
A little louder than most drum & bass releases. Streaming will turn it down anyway.
Loud and still punchy, a touch louder than most drum & bass.
Integrated loudness is -4.7 LUFS, 2.3 dB above most drum & bass releases.
Back off the limiter input a little. The drums will hit harder and streaming loses nothing.
True peak is -1.1 dBTP and crest factor 6.4 dB. Nothing clips.
The snare still cuts through, so this is a choice rather than a fault. Every streaming platform turns a master this loud down anyway, so a little less limiting costs nothing and gives the drums back their snap.
Low end, mids, top
No problem areas in the low mids, the upper mids or the low end for drum & bass.
Balanced from the sub to the top.
No thick low mids, no harsh upper mids and no thin low end against the drum & bass reference.
The reese and the snare share the low mids without masking each other, and the top end is crisp without fizz. Leave the EQ as it is.
Stereo, phase
Wide on top, solid in the middle. Folds to mono cleanly.
Focused and mono-safe, with the width where it belongs.
Stereo width is 36 %, phase correlation 0.72, lowest 0.48.
The sub and the kick are centred, and the pads and effects carry the width. It folds to mono cleanly on a club system.
Intro, outro, sections
Intro and outro give DJs room to mix.
32 bars at each end, built for the mix.
Intro 32 bars, outro 32 bars, 7 sections.
Both drops arrive cleanly and the second one adds enough to earn its place. A DJ can mix in and out without editing.
BPM, key, grid
174 BPM, D minor.
174 BPM in D minor, a tight roller.
Tempo confidence 97 %, key confidence 78 %.
The break programming is the strongest part of the track: ghost notes and changing hat velocities keep the loop moving. Nothing to change.
| Measure | This mix | Drum & Bass |
|---|---|---|
| Duration | 5:22 | |
| BPM | 174 | 160 to 180 |
| Key | D minor | |
| Integrated loudness | -4.7 LUFS | -9 to -5 LUFS |
| True peak | -1.1 dBTP | under -0.5 dBTP |
| Crest factor | 6.4 dB | |
| Loudness range | 3.9 LU | |
| Stereo width | 36% | 8 to 55% |
| Phase correlation | 0.72 | min 0.15 |
| Lowest phase window | 0.48 | |
| Spotify normalisation | -9.3 dB | Spotify turns it down to -14 LUFS, nothing lost |
Loudness and true peak across the major streaming platforms
8 bands against the drum & bass reference
Energy over the length of the track
The track
Sample
Voltage Drop
174 BPM · D minor
Discovery algorithms overweight engagement in the first 48 hours. Have repost channels lined up before you drop, not after.
Promotion
Channels that post this sound and take submissions. Many feature free downloads, so each grab can become a new follower.
Repost network with large DnB reach. Leads with rhythm-forward rollers.
Premiere channel for DnB, free download friendly.
Your turn
The same readiness read, the same contributor by contributor advice, and the same label matching against 700+ electronic labels.
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