One more pass
Fix the clipping first. The rest is fine-tuning. A label will hear this on the first play.
- Readiness
- Ready to send
- Almost there
- One more pass
- Early mix
Mix report
Techno132 BPMA minor6:52Anonymous Producer
Fix the clipping first. The rest is fine-tuning. A label will hear this on the first play.
Where techno sitsThis mix
0.8 % of samples clip. Lower the gain into the limiter before you send this anywhere.
The low mids are thick. A small cut around 300 Hz would give the kick and bass room.
Wide on top, solid in the middle. Folds to mono cleanly.
The intro or outro is shorter than DJs usually expect in techno (about 32 bars).
132 BPM, A minor.
0.8 % of samples clip. Lower the gain into the limiter and export again.
A small cut around 300 Hz would give the kick and bass room.
The intro is 32 bars and the outro 16. DJs in techno usually expect about 32 bars at each end.
Streaming & label circuit
Indie labels reply in 2 to 6 weeks, bigger ones in 8 to 12, and silence after 3 months is a no. Start this phase well before your target release.
Label matching
Fix the items above before you send anything. In this example the labels are described, not named.
Europe · demo inbox · replies in about 8 weeks
Kick weight, tempo and track length match what they release. Once the clipping and the low mids are fixed, this sits on their brief.
Major label
Leans harder and more industrial. The breakdown would need more grit, but the groove fits.
The tempo sits at the low end of what they release. More acid in the second half would put it on their brief.
Mid-sized roster open to demos. The track sits comfortably in their warehouse compilation pool.
Smaller indie, close to hard techno. Your rhythm work matches their catalogue.
A driving techno track with a steady groove and a mono-safe low end. Before it goes anywhere, stop the clipping in the master: 0.8 % of samples clip and the peaks reach +0.4 dBTP. Then clear the low mids and give the outro more room for DJs.
Loudness, peaks, punch
0.8 % of samples clip. Lower the gain into the limiter before you send this anywhere.
Loud enough for the club, but part of the master clips.
0.8 % of samples clip and the true peak reaches +0.4 dBTP.
Lower the gain into the limiter until nothing clips, set its ceiling to -1.0 dBTP, and export again.
Integrated loudness is -7.6 LUFS, inside the techno range. Crest factor is 7.8 dB, so the kick keeps its attack.
The level itself is right for techno, so this is a gain staging fix, not a loudness one. Pull the input into the limiter back and switch on true peak detection if your limiter has it. Streaming turns the track down either way, so the export loses nothing.
Low end, mids, top
The low mids are thick. A small cut around 300 Hz would give the kick and bass room.
The low mids are thick. The rest of the spectrum sits where techno sits.
The low mids carry 3.4 dB more energy than the techno reference.
Cut the bass a little around 300 Hz, or key a dynamic EQ band on the bass to the kick so it ducks on every hit.
The kick and the bass are clean below 120 Hz and the top end is controlled. Clearing the low mids lets the kick punch through when the bass comes in, and the track will sound louder without touching the limiter.
Stereo, phase
Wide on top, solid in the middle. Folds to mono cleanly.
A focused image with a mono-safe low end, as a warehouse mix should be.
Stereo width is 42 %, phase correlation 0.83, and it never drops below 0.61.
Keep the kick and the bass in the centre. If you want more space, widen a lead or a percussion layer on its own channel rather than the master bus.
Intro, outro, sections
The intro or outro is shorter than DJs usually expect in techno (about 32 bars).
A solid first half, with an outro that is short for a DJ.
The outro is 16 bars. Techno DJs usually expect about 32.
Extend the outro to 32 bars with the kick and a percussion loop so it can be mixed out.
The second drop repeats the first one closely. One new element after the breakdown, a filtered acid line or an extra percussion layer, would reward a listener who stays past it.
BPM, key, grid
132 BPM, A minor.
132 BPM in A minor, both read with high confidence.
Tempo confidence 93 %, key confidence 81 %.
The kick sits on the grid and the offbeat hats carry a light swing that pushes the loop forward. Nothing to change here.
| Measure | This mix | Techno |
|---|---|---|
| Duration | 6:52 | |
| BPM | 132 | 125 to 145 |
| Key | A minor | |
| Integrated loudness | -7.6 LUFS | -9 to -5 LUFS |
| True peak | 0.4 dBTP | under -0.5 dBTP |
| Crest factor | 7.8 dB | |
| Loudness range | 4.2 LU | |
| Stereo width | 42% | 8 to 55% |
| Phase correlation | 0.83 | min 0.15 |
| Lowest phase window | 0.61 | |
| Spotify normalisation | -6.4 dB | Spotify turns it down to -14 LUFS, nothing lost |
Loudness and true peak across the major streaming platforms
8 bands against the techno reference
Energy over the length of the track
The track
Sample
Concrete Static
132 BPM · A minor
Discovery algorithms overweight engagement in the first 48 hours. Have repost channels lined up before you drop, not after.
Promotion
Fix the items above before you send anything. Many feature free downloads, so each grab can become a new follower.
Underground techno repost network with strong club DJ reach for unsigned material.
Premieres warehouse cuts, free download friendly, and matches your sound.
Your turn
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